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和充任调剂条件的,倪卫华艺术简历

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和充任调剂条件的,倪卫华艺术简历

策展助理:姚子 分水线俱乐部

VITAE FOR NI WEIHUA Born in 1962 in Shanghai, Ni Weihua graduated from Shanghai Light Industry Institute in 1983 and now lives and works in Shanghai. Selected Exhibitions 1989 Neo-expressionism--89 Ni Weihua exhibition of paintings(Shanghai) Seminar and showing of the art works of Wang Nanming and Ni Weihua and other contemporary Shanghai artists (Beijing) The 2nd China contemporary art documents exhibition (Guangzhou) The 3rd China contemporary art documents exhibition (Shanghai) The first Hanmo new art plans exhibition(Beijing) Installation:the Dimension of Language(Shanghai) In the Name of Art--China Contemporary Artists exchange exhibition (Shanghai) Established Linear Cities Group with Wang Jiahao. Shaking----97 Shanghai Contemporary Art Exhibition(Shanghai) 1997 New Asia, New City, New Art----97 Chinese-Korean Contemporary Art Exhibition (Shanghai) 1999 In/from China:art architecture(Berlin-Germany) 1999 The Intervention in Media(Hongkong) Chinese-Japanese-Korean Artists Exhibition (Pusan-Korea) 2000 Individual Sociaety in Art----A Collection of Works of Art by 11 Chinese Artists(Guangzhou) 2000 News today(Hongkong) The First Guangzhou Triennial(Guangzhou) 2005 Inward Gazes----Documentaries of Chinese Performance Art(Macau)

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1963年1月生于中华夏族民共和国巴黎 一九八三年二月结束学业于北京轻工高专现居住工作于北京。

Nowadays, the disadvantages of the over-specialized education and the industry layout have been gradually exposed; the combination, reconstruction of college and the reaffirmation of “generalist” are rectifying the former deviations. All these things such as the discarding of abundant former industrial bases, the reformation, the laying off of workers and the unemployment remind us the existence of aftereffect.

展出简列: 1990年《新展现89倪卫华个人绘画作品展览》 1995年《王南溟、倪卫华小说暨迪拜版画当下境况研讨会》 一九九八年《中华夏族民共和国今世艺术切磋文献展》 1993年《中国今世艺术研讨文献展》第三次展 1995年《第四届翰墨新点子方案大展》 壹玖玖壹年《装置:语言的方向》展 一九九九年《以艺术的名义中华夏族民共和国今世艺术沟通展》 1996年 与王家浩建设构造线性城市课题组;《摇拽97北京现代艺术联合展现》 1998年《高雄美洲、新都会、新点子中国和大韩民国时代现代艺术展》 1998年《在/自中华夏族民共和国而来:艺术 建筑》展 1996年《媒体的干涉》展 一九九九年《中、日、韩艺术展》 二〇〇二年《艺术中的个人与社会中华夏族民共和国十一个人青春美术师艺术展》 二零零零年《前些天新闻》展 2004年《传播媒介城市》展 二零零一年《第生龙活虎届新德里今世艺术六年展》 2007年《以身观身──中黄炎子孙民共和国行为艺术文献展》

Textile—Prevention—Imitation

编辑:admin

The artists in the art workshop of the Textile City have done a lot for the safety of the art area. A lot of “segregation” works have been done in the sealing-off designing of the art areas, the doorkeeper system, the relationship between different art areas, the relationship between art areas and textile factories, and the relationship between art areas and borough governments. The artists have also clarified and strengthened some segregation work. Just as the eight-layer box that protects the real finger relics, artists also have their own art ideals, principles, standpoints, tastes and dignities deep in their hearts. While leaving something, they also need to guard against some future temptations.

The government has granted a large sum of money to build a Chang’an City in the style of China Town and Disney Land. When the monument logic and theme park logic coexist; Mick Mouse and Duck Donald will replace the roles of Li Bai and Bai Juyi, two great poets in Tang Dynasty.

事实上,直面纺织城所折射的“职业化”以致“苏维埃社会主义共和国缔盟方式社会主义”的后遗症,跟大家直面美院的“专门的学问化”困境是同在一条历史反省纬线上面的。诸如“国画的今世化”、“水墨画的本土壤化学”都然而是其风姿浪漫专门的学业化困境中的子话题:若是我们力不可能支走出那个专门的职业化的泥坑,如若大家无法勇敢地区直属机关面“纺织城”的后遗症,大家也就不曾座谈“中夏族民共和国现代艺术”真身的根基。

Booking: (029)87713866

仿造的话题并不囿于在对都市视觉的吝惜。纺织城艺术车间跟西方流行的工业区退换成的艺术区之间的关联、跟798的关联,也是大家必要反思的。历史上的纺织城对苏维埃社会主义共和国结盟方式的仿制的优弱点也是我们需求回想的。

Several days ago when I talked about the forthcoming La Biennale di Venezia and Kassel Documenta with a curator, he told me that some Japanese curators would organize a “shadow exhibition” with other Asian colleagues to resist the “hegemony” of Venice Binary Exhibition and Kassel Document Exhibition. Why we became “shadows”? I said to myself. Could those Chinese artworks exhibited at Venice and Kassel truly represent “China’s contemporary art”? Are there any acceptable reasons for those artworks to acquire the high status?

Website: www.onwest.com

Where is the “real finger relics”? “Shadow relics” have already hinted the information as the form, material and size, but after all they could not replace the real one.

方法,也正在经验着对章程教育制度、艺创的答辩和质感根底、展示空间等的重新定义。

Visual: Meng Kun、Xi Hongzhe、Wang Jiyun、WangYing、Jiangyan

Sponsorship: SPAMART Foundation

近来,现代艺术霸权的话题一贯被拿来展开商讨,少数外国收藏人和个别国际主要双年展的学识权力跟国家知识活动的权限,时而单独生效、时而相互协作,产生了一堆中中原人民共和国现代艺术寡头。11个人数的那个寡头们侵吞了国际双年展、收藏者等关键的法子资源。

B Zone of Art Workshop in Textile City

那么些的确认保障证跟本人情形的拳拳之心关系的美学家和艺术品,才是当真的神州现代艺术的表示。为啥咱们不把威拉斯维加斯双年展和卡塞尔文献展上的“美术大师”和“作品”看成真正的“影子”呢?

Host : Ma Qingyuan(the famous architect/Curator of the Biennial of Shenzhen)

媒体协助:东方视觉 CFX

附件2,卡萨布兰卡双年展二〇〇七0423 消息通稿

支持:思班艺术基金会

纺织:专门的学问的紧箍咒

马清理与运输说,“……在先锋的无奇不有之外,建筑师有另大器晚成种大概是在操持中去相应社会。”作为2007费城双年展的展览策划者,大家不精晓她个别在洛杉机、新加坡、温哥华等地在怎么时间、在哪类处境、进行了哪一种方法的照应,咱们只是以单边的框框在西安纺织城“重现”费城双年展。只怕在以后,日内瓦双年展也会以同黄金年代的办法“再次出现”夏洛蒂纺织城艺术区。

地址:纽伦堡市 纺织城 纺西路 238号 唐华风流洒脱印

原本我们“安排”每两周进行一回小展览,但是在推进的长河中,我们开采计划未有成形快。这种“无语”实际上也是大家要追求和显现的:我们要规行矩步地跟情形对话。

纺织城艺术车间的确立,是我们谈谈“影骨”和“灵骨”的贰个关口。建国开始的一段时期建设的纺织城;二零零七年形式车间对纺织城进行的“再生”管理;台北文献展跟卡塞尔文献展以至威布兰太尔双年展同不经常间扩充……给大家斟酌中国今世艺术“真身”提供了有的幽默的话题。

视觉:孟坤 席红哲 王基宇 王莹 姜延

Prevention: Segregation and Puzzling

为同盟双年展核心,扩展影响力和辐射范围,与双年展同不经常候实行的外围展将与麦纳麦高校盛名职业建筑系同盟,希望以深刻的观念关怀超越建筑实用性的文化论题,合作关怀柏林(Berlin卡塔尔(قطر‎特质。一个城市的高端高校向来承受着城市合计的主导力量,如今策展工作组已经制定外围展览策划书与布拉迪斯拉发高校达成同盟意向,中华夏儿女民共和国水墨画组织早就主动申请出席外围展专项论题展览切磋一些。

前日,过于专门的学问化的启蒙和工业布局的坏处已经不仅仅爆出,大学的统朝气蓬勃、重新整合、对“通才”的重提,正在对从前的“偏执”进行更正。大批量的老工业集散地的打消、更改、工人失掉工作、再就业等等现象提示着我们后遗症照旧存在。

Media Support: IONLY 、CFX

Dear guest, we invite you to show your work (arts or else) here and to join the discussing on the topic you are interested in from 9 a.m to 3 p.m 28th July. We will provide buffet dinner.

一时一刻,策展览团队还策划了另叁个亮点:在世界范围内筹划尽也许多的,思考城市难点的行家商量者,对都市复兴做独家的动脑筋,产生展览策划人比参与展览人多的范围,也将是这一届双年展的特色之大器晚成。这届双年展将要聚集中华夏儿女民共和国都会难点的底工上,将满世界联成三个网络,通过春和景明式的争论世界分裂城市的提升进度,研究风华正茂种前卫的共处城市,并因此社会、经济、宗教、政治等分歧的思考角度启发建筑手腕以外的形式来裁撤城市压抑。

Notice: the symposium of “2007 Shenzhen Biennial of Urbanism and architecture” 12 a.m

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The topic of “prevention” will also make the artists, designers, exhibition organizers and scholars participating in Xi’an Document Exhibition show their attitudes towards the Chinese contemporary art. It also offered an opportunity for discussion “moving forward” and “protection”. Is the protection of “Shadow relics” to “real finger relics” done by puzzling? This kind of association will help us clarify the relationship between the Chinese contemporary art and the western culture, science and art in a relatively simple and symbolic manner, and enhance the visibility of the Chinese contemporary art. We will also discuss the relationship between the cultural heritage and the contemporary art; make a comparison between the influence of Buddhism on China and the progression of Chinese modernization.

克隆:弘扬或污染

防止:隔绝和吸引

The topic of “hegemony in contemporary arts” is a hot one in recent years. Sometimes do it singly and sometimes cooperate with each other, both a small group of foreign collectors together with the cultural authorities in a few important international Binary exhibitions and the State’s cultural departments, urged the emerging of a few “oligarchs” of China’s contemporary art. It is them who monopolized the important art’s resources such as international binary exhibitions and collectors

We planned to hold the exhibit once two weeks at first. However, in the process of the preparing we find it is hard to do it. And the change is also we need: face to the environment honestly

We hold the exhibit in the form of buffet dinner. As we are convinced that XI’AN DOCUMENTA belongs to all Xian people. We have big ambition: that is we’d like to discuss the truth of China Contemporary Arts in this documenta .and we also believe the truth exist in the one who treat himself and its environment sincerely. You will be the host of the discussion.

“防止”话题也集合体加入塞内加尔达喀尔文献展的艺术家、设计员、展览策划者、读书人等经过座谈同一时间拓宽的威梅里达双年展和卡塞尔文献展的点子来研讨中华夏儿女民共和国现代艺术的在“进取”和“珍视”之间应当的态势。

同一天午后将由马清理与运输先生亲自掌管学术研究斟酌会,大旨为三农难点和城市再生等。博览会同不时候将进行干白品鉴会,您还足以浏览在建筑界广受关心的“拉拉山石柴”和拉拉山酒堡风行完结的精品酒店“井宇”。

Add:Tang Hua Yi Yin ,No.238 ,FangXi Road, Textile City, Xi’an

所以,我实行联想:中中原人民共和国艺术家、艺术品在世界三大展上的显现其实是“中夏族民共和国现代艺术”的三枚影骨;进而,中华夏族民共和国美术师、艺术品在澳洲的光州四年展、横滨八年展和台南双年展上的变现是“中华夏族民共和国现代艺术”的第4个档期的顺序的“影骨”;进而,新加坡双年展、日本首都双年展和马尼拉七年展在具有民意根底从前,仍是华夏现代艺术的第三个档案的次序的“影骨”。

10日深夜九点,“自助参”展览开幕,研讨会起来,来自埃德蒙顿艺术、学术、设计、音乐等世界的活跃分子初阶依照事情发生以前制定的主题材料实行斟酌。

网站:www.onwest.com

为此,我们的照顾差不离每日都在更新。这几天大家只可以大要描绘一下收场几日前玉陨香消,大家能够预测的当日的气象:

Sponsor Contact: 13772158883

有关“影子展览”的研商,让自家联想到马普托左近秘技寺的“影骨”:在开采藏在秘籍寺地宫的棉花果舍利以前,风度翩翩共开掘了3件仿制的“小佛手”。那三件复制品后来被称呼“影骨”,赵朴初用“八月映三江”来陈说仿制品和实在的大梅核之间的关系。

纺织-防止-仿制

本人心中想,为何大家成了“影子”?中中原人民共和国乐师在威Cordova双年展的“中黄炎子孙民共和国馆”突显的作品、中夏族民共和国美术大师在卡塞尔文献展上表现的著述确实是“中中原人民共和国当代艺术”的“真身”吗?那个措施“代表”的合法性是什么样建构的?

the list of the show work (updating): MADASPAM(two design example: How can a good idea to be a good design and architecture)、Zhang Xiaoming (To be a guest)、Su Zhongqiu(the interact drawing What make the arts so charming and profitable today )、Chen Qianning(pit 2)、Li Shi hao(the old bowl noodle)、the picture work of Xi Hong Zhe、Lei Yanping(no title)、the plan for watershed club、the work of Sigal M. Buseel(US)

咱俩采纳自助餐的不二诀要来组织这一次展览,因为咱们认为杜阿Lavin献展是属于纽伦堡全部人的展出;大家有极大的方法理想:要在本次文献展上争论中中原人民共和国今世艺术的真身,不过我们也信赖“真身”实际上存在于任何八个愚直地对待本身和本人条件的村办,所以“你”永久是这一次文献展研讨的持有者。

影骨是对灵骨的尊崇,或许是透过吸引来张开保证?这种联想格局有利于大家用生龙活虎种相对轻易和享有象征意义的主意来厘清中中原人民共和国今世艺术跟西方文化、学术、艺术的关系;扩展中夏族民共和国现代艺术的能见度;大家也交涉谈文化遗产跟现代艺术的涉嫌;以致会在佛教影响中夏族民共和国和华夏今世化进度之间开展对照。

11点半左右,马清理与运输主持商讨;12点左右,自助餐开端;自助餐之后,马清理与运输主持费城双年展“城市复兴”研究探究会。整个经过中,嘉宾、访员、参加者会时有时无赶到。

另:由夏洛蒂美院和思班都市主办,大屯山酿酒公园承办的第1届“‘玉辽宁西’展”开幕典礼兹定于二〇〇五年十一月四日16:00在苏州市莲湖区横溪镇大屯山酿酒公园展览大厅进行,大家的探讨会完毕现在,思班都市有专车的前面往龙鼓洲展览现场,我们谨此约请请你也加入大网仔展览和移动。

早上3点左右,超越三分之二人会从纺织城出发,到长沙湾去,步向其余一个现场……

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